Subway Handheld Close-Combat Fight Sequence

the prompt

{
  "model": "seedance-2.0",
  "task_type": "generation",
  "task": "generate_video",

  "priority": {
    "primary": "handheld close-combat fight sequence inside a moving subway car — young woman with orange hair dismantles multiple male attackers using poles, seats, tight-space acrobatics, then walks away unfazed",

    "secondary": "casual dominance — size disparity, effortless precision against brute force, nonchalant aftermath as if nothing happened"
  },

  "reference": {
    "use_reference": "<<image_1>>",

    "description": "young east asian woman, chin-length bright orange-red hair, white wired earphones, dark bomber jacket over white t-shirt, blue slim jeans, boots — lean athletic build, composed neutral expression; attackers: 3–4 men of varying builds — one slim in black jacket, one stocky bearded in grey hoodie, one large dark coat, one in khaki pants"
  },

  "sound": {
    "type": "diegetic only",

    "layers": [
      "subway car rattle and wheel screech on rails, constant low rumble",
      "sharp impact thuds — fist and boot on body, deep meaty hits",
      "metal pole clang — hands and bodies slamming against grab bars",
      "fabric rip and shuffle — jacket friction during grapples",
      "heavy bodies hitting plastic seats and floor, hollow thud",
      "earphone dangling click against jacket zipper between strikes",
      "muffled PA announcement bleeding through speakers"
    ]
  },

  "camera": {
    "type": "handheld tracking, tight interior coverage",
    "height": "shoulder level ~150cm, drops to hip level during ground exchanges",
    "movement": "reactive handheld — follows the woman's movement through the car, quick pans on strikes, slight push-ins on impacts, pulls back for acrobatic beats, stabilizes for aftermath wide shot"
  },

  "environment": {
    "setting": "interior of a moving subway car — blue molded plastic seats, chrome grab bars and poles, overhead fluorescent panel lighting, ad posters and route maps on walls, sliding doors with dark windows",

    "lighting": "harsh overhead fluorescent — cool white, unflattering, creates hard shadows under brows and jawlines, specular glints on chrome poles, warm orange spill from tunnel lights streaking past windows",

    "atmosphere": "confined, claustrophobic, rattling — car sways and lurches during the fight"
  },

  "action": {
    "phase_1": "0:00–0:03 — woman stands near door with earphones in, one attacker grabs her shoulder from behind; she reacts instantly, pivots",

    "phase_2": "0:03–0:08 — explosive close-quarters combat — she uses the grab pole as leverage for an aerial kick, sends the first attacker into seats, engages second attacker with rapid strikes and a headbutt",

    "phase_3": "0:08–0:12 — fight escalates to multiple opponents — she blocks, counters, uses tight space to advantage, slams one man into the door, knees another, grapples using overhead bars",

    "phase_4": "0:12–0:15 — all attackers are down on seats and floor — she stands, calmly fixes her hair, puts earphone back in, grabs the overhead bar and rides the train as if nothing happened, other passengers stare in shock"
  },

  "style_control": {
    "duration": "15 seconds",

    "tone": "gritty urban action, grounded choreography, minimal wire-fu — emphasis on weight and impact",

    "no_artifacts": "no flicker, no morphing, consistent hair color across all frames, stable body count — no extra or disappearing attackers, no clipping through seats or poles, consistent interior geometry, no floating limbs during fast motion"
  }
}